2020-07-25 来源:toefl.socool100.com
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TPO65听力Lecture3原文+MP3+题目+答案下载
TPO65听力Lecture3原文:
Listen to part of a lecture in an art history class.
Perspective, this was a brand-new idea in art during the European Renaissance. Before this time, painters had accepted the fact that a painting was two-dimensional and everything was more or less flat in a painting. But you can, as you’re painting or drawing, make it look like it has depth, make it look like things get farther away as they go back.
During the Renaissance, new techniques were developed to do this. Now the simplest example would be trying to draw a picture of a road. If you draw two parallel lines right next to one another. The road looks flat. It doesn’t look like it stretches off into the distance. In order to make it look like it stretches off into the distance, you draw your two lines slightly converging, getting closer and closer together until they meet at what we call the vanishing point. This gives you the illusion that the road gets farther and and farther away from you, the viewer.
So as this process of perspective in painting became more and more common and more and more popular, it began to be used by set designers. Set designers in the theater at this time were generally painters, so these painters who were creating perspective paintings decided to do the same thing on stage and create perspective set designs. In order to do this, they had to use wings.
What is a wing you ask?
Good question.Well, it doesn’t involve birds or flying. In this context, a wing is a large wooden frame covered with a canvas. Basically, it’s a very large painting. Let’s say, three meters long by two and a half meters tall. A typical set design during the Renaissance would have four wings on stage left, four wings on stage right, and another one in the back, creating the illusion of one big giant painting. And you would arrange these on stage and it would look like a town square or a grove of trees in the woods or whatever the setting was.
There were two ways to arrange these wings to create the illusion of perspective on stage.
The earliest method was known as angled wings because perspective was difficult to do at first, right? It was a new technique. Painters were just getting the hang of it. This involved placing your wings not directly facing the audience, but slightly angled toward the back of the stage.
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